Hitgirl with stolen
diamonds runs from an English gangster in South Africa.
Honourably pays Morgan Freeman for a one-day shoot, sets up a
sequel at its ending and then starts the credits with a Clip-Art show. The film has some
amazing cinematography, albeit with some horribly shot shaky-cam action
sequences. Sound scoring is cheap and cheerful, clichéd but sensible.
None of the cast
members act badly. Although the characters are caricatures, they are written
well enough to satisfy the focus that is placed on them. Really, they are interestingly extravagant yet relatable.
Story-wise, it’s a
gripping thriller, with a sense of humour and honesty that elevates an
unoriginal premise to keep you guessing and interested. Makes the most of a
limited budget. Feminist identifiers should love the script.
Suffering mainly only from its European-ness; bland colouring and style, this thriller refuses to not be enjoyed. Totally sexy, one for
feet fetishists. Watch this if you like the idea of Atomic Blonde.
# - # - # - # - 3.7/5
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